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Curse of the Other World, part sixteen

Curse of the Other World, part sixteen
This entry is part 16 of 16 in the series Curse of the Other World

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Howard lived in a Victorian terraced house in Gilesgate, a village that was nominally part of Durham but only connected to the city itself by a long street that wound its way up one of seven steep hills. Sarah found herself stopping regularly to take a break and get her breath back as she climbed Claypath, the last street in Durham proper; winding its way up to Gilesgate bank.

Why does this city have to be built on so many hills? she asked herself. And why am I so exhausted? I’ve lived here for years, climbed every hill, walked every street, and I never used to get out of breath. I must be coming down with something.

She sat on a low stone wall and checked the time while she got her breath back. It was half past six and night was already drawn in. Getting across the roundabout at the top of the hill would be a nightmare. She decided to use the bridge connecting Claypath to Hild Bede college rather than risk crossing traffic in the dark. It meant a slightly longer path to climb, but it removed the risk of being squashed by an inattentive driver. There was a zebra crossing further up the hill that she could use to get to Howard’s house, so it would not be too much of a problem.

Her telephone began to ring. Fishing it out of her bag was almost too strenuous to manage. She took several deep breaths in an attempt to regain her strength, then flipped open the clamshell.

‘Hello?’ she asked.

‘Hi, Sarah. It’s Peter.’

‘Hi. What’s up?’

‘Oh, not a lot. I’m in town, just finished lectures, and I was wondering if you were doing anything tonight?’

‘Oh. Right. Well, I’m supposed to be going to Howard’s about something, but after that I’m free.’

‘Fair enough. Do you need a lift? I’ve got the car with me until my Dad visits next week.’

‘You know what? That would be fantastic.’

She arranged to meet him at the bus stop below the bridge. By the time he arrived, she was feeling a little more like herself, although not greatly.

‘Bloody hell, Sarah,’ said Peter. ‘You look like death.’

‘It’s nice to see you too,’ she said, flatly.

‘I’m serious. Have you been to see the doctor?’

She shook her head. The movement made her feel a little sick.

‘Well you should. Make an appointment tomorrow morning if you’re not feeling better, okay?’

‘Yes, Mum.’

‘I’m serious,’ said Peter. ‘You’ve got to look after yourself. You’ve been ill like this far too often.’

‘Turn right here,’ said Sarah. ‘Then second left.’

Peter sighed, and although she felt bad for upsetting him, a lecture on her health was not something she wanted to hear. She let the silence grow more thick and uncomfortable as the car wound its way along the last few hundred yards to their destination.

Howard was at the door when they arrived. For a moment, she seemed pleased to have company, but her smile faltered when she saw Peter. To her credit, Sarah noted that she recovered very quickly; and it seemed Peter was oblivious anyhow.

‘I think you came just in time,’ said Howard as she led the way into the tiny lounge that was supposed to serve as a communal room for all five people who lived in the house.

With a two-seater sofa, one armchair and a rickety wooden chair by the television, there was barely enough room for the three of them to squeeze in. Entertaining five people would only be possible, Sarah decided, if they were all very thin and agreed not to breathe.

‘What’s happened?’ asked Sarah.

‘It’s Liam,’ said Howard. ‘He’s been in his room for over an hour now, and I can hear chanting again.’

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Why you should not work for free

Why you should not work for free

A jolly good egg on The Webcomic List pointed me at this post about how people on Craigslist were wanting free art and design work.  The response was very good and is also appropriate for those of us who do freelance writing.  I therefore recommend everyone have a read of it.

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What is #FridayFlash?

What is #FridayFlash?

Visit Twitter or Facebook on a Friday (or many writers’ blogs and websites any day of the week) and you may be hard pressed to not stumble upon references to #fridayflash, the biggest Twitter trend to flow through writers’ circles since Twitter began.  But what is it?

To put it simply, it’s a way of getting people to notice your shorter stories.  The basis of the trend is that on a Friday, people will post some flash fiction (a story up to 1000 words in length) to their website, blog or wherever, and then post a link to it on Twitter.  So that people can find these stories easily, you’re supposed to append the #fridayflash hashtag to the end of your Tweet.  At its most basic level, there’s nothing else to it.

Of course, with every community comes a certain number of rules but with #fridayflash there’s only really two:

  • Don’t post explicit erotica; and
  • Don’t post gratuitous violence.

In essence, just remember this is a family-friendly thing, and play nice.

What next?

Of course, this being the Internet, things don’t have to stop there.  Once you’ve posted your story, there are several things you can do.  First of all, there’s reading other peoples’ work and commenting on it.  This gets you known in the community as a team player, and also gives you a chance to experience the work of some really talented flash fiction writers.

Leaving a comment is a good thing, because it shows you’re willing to give back to the community.  Don’t just write something like “hey, that’s great! come and read my work!” because we all know that’s spamming.  Leave a constructive comment (constructive criticism is okay but don’t go overboard) and if there’s a field to put a URL in, feel free to link to your site.  Just don’t do it in the main body of the comment unless everyone else is.

The Friday Flash Collector

There is a website dedicated to keeping a Master List of all #fridayflash stories, and you can add your work to this list, too.  Just pop over to The Friday Flash Collector and click on the ‘Insert New Item’ button, then enter the necessary details.

What’s the advantage of this?  Well, it’s simple really: Twitter is a fast-paced social medium where any discussion can soon be drowned out; so soon after you’ve told everyone about your story, it will be lost in the sea of other people talking about stories.  The Collector keeps track of all the flash fiction posted for #fridayflash so everyone can find it quickly and easily.

So there you have it: social media promoting writing and community spirit at the same time.  #Fridayflash has to be one of the coolest writing trends to hit the Internet in a long time and if you want to get involved, you’ll be very welcome.  Just post up your flash fiction (remember to spell check and keep to 1000 words or less), fire off a link to it on Twitter and you’re in the club.

See you on Friday for the word party.

Posted in #fridayflash.

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